Framing Lives, the 8th Biennial Conference of the International Auto/Biography Association
17-20 July 2012, Canberra, Australia
The Humanities Research Centre and National Centre of Biography at the Australian National University, in partnership with the National Portrait Gallery, present Framing Lives, the 8th Biennial Conference of the International Auto/Biography Association.
The field of auto/biography and life narrative studies is dynamic and interdisciplinary. Founded in 1999, the International Auto/Biography Association (IABA) is the leading international forum for scholars, critics and practitioners. The Framing Lives conference will feature distinguished international speakers and events at the National Portrait Gallery and other national collecting institutions.
Framing Lives draws attention to the extraordinary turn to the visual in contemporary life narrative: to graphics and animations, photographs and portraits, installations and performances, avatars and characters, that come alive on screens, stages, pages, and canvas, through digital and analogue technologies. At the same time, framing suggests the ways that lives are lived, recorded and viewed through multiple frames including those of language, politics, place, gender, history and culture. It draws attention to the multiple ‘I’s of auto/biographical representations now, and the various fields of vision, lines of sight, and points of focus for critics, artists, writers, historians and curators in the life worlds of auto/biography. Conference themes include depiction and display, ethics and rights, living archives, place and displacement, media and celebrity, digital identity and social media, and creative life narrative.
Convenors
Paul Arthur (Deputy Director, National Centre of Biography, Australian National University)
Rosanne Kennedy (Associate Professor and Head of Discipline, Gender Sexuality & Culture, Australian National University)
Gillian Whitlock (ARC Professorial Fellow, School of English, Media Studies & Art History, University of Queensland)
Conference Themes
1. Depiction and display
Histories and analyses of visual representations of lives
Lives as art, including portraiture, sculpture, photography, film and new media
The life of objects and things in storytelling
Curating online collections
Adaptation and remediation
Eavesdropping and voyeurism
Framing, filtering, capturing, exposing, colouring lives
Digitisation, simulation, authenticity
2. Ethics and rights
Human rights, privacy, advocacy, law
Rights of biographical subjects
Trauma, grief and testimony
Editing and ethics
Disability, illness, therapy and recovery in life narrative
Environmental biography
Posthuman lives
Gender and sexuality
Secrets and lies
3. Living archives
The archive within: genetics, genomics, neurology, emotions
Archival legacies: remembering and forgetting
Managing archival material: methodologies, policies, selection, metadata
Oral history theory and practice
Life story consent, copyright, constraints
Preserving ephemera
Institutional partnerships
Transnational archives
Transgenerational archives
4. Place and displacement
Translating ‘life’ and lives across cultures and languages
Indigenous lives
Diasporic lives
Immigrant lives
Transnational lives
Minoritarian life narrative
Genealogies
Witnessing publics
5. Media and celebrity
Press, radio, television, film and music biographies
The media as biographer
Creating notoriety
The changing nature of fame
Collective memory and biography
Refashioning identity: bodies in the media
Confessional modes in public life
Obituaries
6. Digital identity and social media
Cyberlives
Auto/graphics
Social media audiences
Digital relationships, communities, intimacy
Epistolarity before and after email
Avatars, animation, machinima
Transfigured bodies
Pocket lives: iPhone, iPad, Android, apps
7. Creative life narrative
New hybrid forms of life narrative
Approaches to constructing the autobiographical self
Memoirs, journals, diaries, reflections
Autoethnography
Scholarship versus creative practice
Fantasy lives
Personal journeys
Digital storytelling